FF Meta font is a part of the FF Meta Super Family. FF Meta Serif: a text typeface by Erik Spiekermann and Christian Schwartz. German type designer Erik Spiekermann, created this sans FontFont between 1991 and 2010. According to the designer, FF Meta was intended to be a "complete antithesis of Helvetica" (the quintessential modern typeface), which he found "boring and bland." FF Meta® is a wonderful typeface designed by Erik Spiekermann, the font family was released between 1991 and 1998. It originated from an unused commission for the Deutsche Bundespost (West German Post Office). FF Meta was not designed with Herman Miller in mind, however. To find out more, including which third-party cookies we place and how to manage cookies, see our privacy policy. This page was last edited on 22 July 2020, at 01:52. On the other hand, in compensation for the missing serifs, it … Erik Spiekermann is information architect, type designer (FF Real, FF Meta, ITC Officina, FF Info, FF Unit, LoType, Berliner Grotesk, and many corporate typefaces), and author of numerous books and articles on type & typography. In 1984 the Deutsche Bundespost (West German post office) commissioned a typeface from Sedley Place Design, the office where Spiekermann worked. Spiekermann is listed as design collaborator with Just van Rossum, Ole Schåafer, and Christian Schwartz. FF Meta is a humanist sans-serif typeface family designed by Erik Spiekermann and released in 1991[1] through his FontFont library. According to Spiekermann, FF Meta was intended to be a “complete antithesis of Helvetica”, which he found “boring and bland”. The basic shape of FF Meta is based on Renaissance Antiqua and has a corresponding, slight variation in the stroke width. It was designed for the German Post Office (Deutsche Bundespost), which hired Spiekermann to rethink the entire graphic design system for the organization—everything from order forms to the once ubiquitous telephone directories. He has been named Royal Designer for Industry by the Royal British Society of Arts and has received a Lifetime Achievement Award of the German Design Council. Years later, realizing that Bundespost and Sedley Place Design would never utilize the typeface, Spiekermann with his company MetaDesign decided to continue work on the typeface and eventually published it—along with other orphaned typefaces[11]—under his newly formed publishing label FontFont resulting in the release of FF Meta in 1991. Erik Spiekermann Erik Spiekermann is a typographer, type designer, and author. His two of his typefaces, FF Meta and ITC Officina, are considered to be modern classics. FF Meta, a sans serif font family created by German type designer Erik Spiekermann of FontFont. We use our own and third-party cookies to personalize your experience and the promotions you see. He has offices in Amsterdam, Berlin, Los Angeles, San Francisco and Singapore. Throughout his illustrious career as a designer and typographer, Erik Spiekermann has created dozens of commercial typefaces (FF Meta, FF MetaSerif, ITC Officina, FF Govan, FF Info, FF Unit, LoType, Berliner Grotesk) and many custom typefaces for world-renowned corporations. [3], FF Meta has been adopted by numerous corporations and other organizations as a corporate typeface, for signage or in their logo. 1998 FF Meta reorganized and released with the following families: FF Meta Normal, FF Meta Book, FF Meta Medium, FF Meta Bold and FF Meta Black, all in roman, italic, small caps and italic small caps, which came with their respective expert and lining figures. It was subsequently released in 1991 by Spiekermann's company FontFont. Deutsche Bundespost’s previous font? FF Meta is a humanist sans-serif font designed by Erik Spiekermann, Oded Ezer, and Akaki Razmadze. According to the designer, FF Meta was intended to be a "complete antithesis of Helvetica" (the quintessential modern typeface), which he found "boring and bland." 1993 FF MetaPlus released featuring some fine tuning of characters, spacing, and kerning along with the introducing three new weights: book, medium, and black in roman, italics, roman small caps, and roman small caps italics except for black which lacked small caps. Free downloads and tech info on the Mac/Windows fonts. However, despite positive interest from the German Minister of Telecommunications among others,[9] Bundespost decided not to implement[1] the new exclusive typeface for fear it would "cause unrest". Original sketches, concept, and research for FF Meta by Erik Spiekermann and Michael Bitter at Sedley Place Design, Berlin. According to Spiekermann, FF Meta was intended to be a “complete antithesis of Helvetica”, which he found “boring and bland”. 2007 A serif companion, entitled FF Meta Serif, was completed and released. The FF Meta® design is a sans serif, humanist-style typeface that was designed by Erik Spiekermann for the West German Post Office (Deutsche Bundespost). Helvetica font is a popular typeface, but It quite boring and bland. One of the most famous and popular typefaces of the FontFont library is Meta®, designed by Erik Spiekermann. If you would like to reproduce an image of a work of art in MoMA’s collection, or an image of a MoMA publication or archival material (including installation views, checklists, and press releases), please contact Art Resource (publication in North America) or Scala Archives (publication in all other geographic locations). [4] The University of Hull uses FF Meta Serif alongside FF Meta. The FF Meta family, initially released as a commercial font in 1991, now comprises over sixty fonts. 1991 FF Meta family released containing normal, normal small caps, and bold. He is author, information architect, type designer (FF Meta, ITC Officina, FF Info, FF Unit, LoType, Berliner Grotesk and many corporate typefaces) and author of books and articles on type and typography. 10 comments tim. Though the design may be familiar, Fira is … Erik Spiekermann, greek version by Panos Haratzopoulos Meta W01 Bold Italic German type designer Erik Spiekermann, created this sans FontFont between 1991 and 2010. Spiekermann opted for narrow letters, to save space, and strokes that are thin enough to counter the tendency of characters to run into each other but thick enough to ensure legibility. Deutsche Bundespost chose not to implement the typeface, so in 1991 Spiekermann released it on his own. [2] It originated from an unused commission for the Deutsche Bundespost (German Federal Post Office). These are the Contemporary numbers, made from grey anodised aluminium, based on FF Meta Bold. Please. Slanted upper terminal on the top right of. Erik Spiekermann, born 1947, studied History of Art and English in Berlin. It would seem this could be solved by allowing the mounting bolts to be fixed (as they need to be), but create a sliding plate on the back of the numbers that allow for a bit of vertical adjustment. Motion picture film stills or motion picture footage from films in MoMA’s Film Collection cannot be licensed by MoMA/Scala. Published by FontFont as part of the FF Meta Super Family. For licensing motion picture film footage it is advised to apply directly to the copyright holders. It comes in 28 weights inclunding italics, a wide range of OpenType features, a complete range of figure set options and multilingual support. About FF Meta Font! FF Meta is a humanist sans-serif typeface family designed by Erik Spiekermann and released in 1991 through his FontFont library. Hi guys! Throughout the 1990s, FF Meta was embraced by the international design community with Spiekermann and E. M. Ginger writing that it had been dubiousl… FF Meta is a humanist sans-serif typeface family designed by Erik Spiekermann and released in 1991 through his FontFont library. Thank you for looking FF Meta font. All requests to license audio or video footage produced by MoMA should be addressed to Scala Archives at [email protected]. Development began in February 1985[1] when Deutsche Bundespost approached Sedley Place Design, where Spiekermann was working at the time, and commissioned a comprehensive corporate design program. FF Meta is a humanist sans-serif typeface family designed by Erik Spiekermann and released in 1991 through his FontFont library. In addition to these demands, to meet Bundespost's needs, the family would also contain three fonts: regular, regular italic, and bold. Spiekermann currently holds a professorship at the Academy of Arts in Bremen, is vice president of the German Design council, president of the International Institute of Information Design, president of the International Society of Typographic Designers and a board member of ATypI. Professor Erik Spiekermann is an internationally renowned type designer (FF Meta, ITC Officina, FF Info, FF Unit, Nokia Sans, Bosch Sans et al), as well as a prolific writer and creator of wayfinding systems worldwide. For access to motion picture film stills please contact the Film Study Center. Neither is there mention of any dispute of authorship of FF Meta's design. At this time Meta was called PT55 (for the regular weight) and PT75 (bold). In 1979 he co-founded MetaDesign, followed by FontShop in 1989 (with Joan Spiekermann) and Edenspiekermann in 2002 (with Susanna Dulkinys). Sep 14, 2016 - Explore chuzwang's board "Erik Spiekermann" on Pinterest. Throughout […] Deutsche Bundespost chose not to implement the typeface, so in 1991 Spiekermann released it on his own. Two of his typefaces, FF Meta and ITC Officina, are considered to be modern classics. A very distinctive y where the two strokes do not join smoothly. In FF Meta, strokes have slightly varying width as the Spiekermann’s goal was that in small sizes, thinner strokes should not “drop out” but, on the contrary, become undistinguishable from the thicker ones. “Information designer” is the phrase he feels best … In FF Meta, strokes have slightly varying width as the Spiekermann’s goal was that in small sizes, thinner strokes should not “drop out” but, on the contrary, become undistinguishable from the thicker ones. We might even ask whether Fira has an unfair advantage over other fonts from 2013, because it’s built on the adamantium-plated skeleton of FF Meta, which Spiekermann has had 25+ years to polish (see also FF Meta Serif and FF Unit). According to Spiekermann, FF Meta was intended to be a "complete antithesis of Helvetica", which he found "boring and bland". This is fancy humanist Sans Serif font. [9] Bundespost, despite funding the project, continued instead to use a variety of different versions of Helvetica (before changing them to Frutiger). FF Meta is a humanist sans-serif typeface circle of relatives designed through Erik Spiekermann and released in 1991 via his FontFont library. The family has 28 weights, ranging from Hairline to Black in Condensed and Normal (including italics) and is ideally suited for advertising and packaging, book text, editorial and publishing, logo, branding and creative industries, small text as well as web and screen … According to Spiekermann, The purpose of the FF Meta was to create a font that was opposite to the “ Helvetica” font. FF Meta is a humanist sans-serif typeface circle of relatives designed through Erik Spiekermann and released in 1991 via his FontFont library. FF Meta is a sans serif typeface created by Erik Spiekermann and published by FontFont which was designed during nine years. A very readable typeface in smaller point sizes but also with enough detail to display in large point sizes. The FF Meta® design is a sans serif, humanist-style typeface that was designed by Erik Spiekermann for the West German Post Office (Deutsche Bundespost). According to Spiekermann, FF Meta becomes intended to be a “complete antithesis of Helvetica”, which he located “dull and bland”. He designed Fira Sans for Firefox OS 2013 version in collaboration with Carois Type Design. FF Meta font was created and published by Erik Spiekermann in 1991 from his FontFont library. The complete FF Meta font family was designed between 1991 and 2010 by Erik Spiekermann, an internationally renowned graphic designer, typographer, type designer, and … If you would like to publish text from MoMA’s archival materials, please fill out this permission form and send to [email protected]. Writing in 1987, Spiekermann gave these credits for Meta as originally designed for the Bundespost. He founded MetaDesign (1979) and FontShop (1988). It was subsequently released in 1991 by Spiekermann's company FontFont. FF Meta was first called PT55, created for the West German Post Office in 1985. These include Imperial College London, The Weather Channel, Free Tibet, the television stations WSYR-TV, WIVT and WUTR in upstate New York, Herman Miller, Zimmer Holdings, Mozilla Corporation, Mozilla Foundation, Schaeffler Group and Fort Wayne International Airport. The typeface would have to be a sans-serif to match the client, narrow (but not condensed) to save space, feature strokes thick enough to withstand uneven printing but also light so that individual characters do not run together, contain clearly distinguishable glyphs for similarly shaped characters, versatile capitals and figures that are clear but not obtrusive, and curves, indentations, flares, and open joins to combat poor definition, optical illusions, and over-inking. [8] The typeface is particularly similar to Syntax, one of Spiekermann's candidate typefaces. This is believed to promote legibility and make the letterforms more clearly different from one another. Erik Spiekermann is art historian, information architect, type designer and author. FF Meta is a humanist sans-serif typeface family designed by Erik Spiekermann and released in 1991 through his FontFont library. Sometime before 2005 foreign language versions by. 1992 FF Meta 2 released as an expansion adding an italics weight, and small caps for bold. FF Meta Individual Styles from $59.00 Complete family of 60 fonts: $1,000.00 FF Meta was designed by Erik Spiekermann and published by FontFont. [7] Whereas traditionally, typefaces are designed to be viewed beautifully large, the goal with this particular typeface was to produce a typeface which worked well for its primary application.[8]. According to Spiekermann, FF Meta was intended to be a “complete antithesis of Helvetica”, which he found “boring and bland”. [1] This version of FF Meta was created by re-digitizing the original outlines and digitizing them in Fontographer on a Macintosh, work which was done by Spiekermann’s interns Just van Rossum and Erik van Blokland between 1988-1989.[9]. Erik Spiekermann is information architect, type designer (FF Real, FF Meta, ITC Officina, FF Info, FF Unit, LoType, Berliner Grotesk, and many corporate typefaces), and author of numerous books and articles on type & typography.
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